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Tasked with creating a new anthology comic for the IPC's boys adventure division, the pair rapidly developed a winning formula: reimagining existing story ideas from fresh perspectives and infusing them with a health dose of modern realism. With strips such as \u003ci\u003eHookjaw\u003c\/i\u003e, \u003ci\u003eDredger\u003c\/i\u003e, \u003ci\u003eLook Out For Lefty\u003c\/i\u003e and \u003ci\u003eBlackjack\u003c\/i\u003e, success was instantaneous but so was the criticism. Many of the press including, \u003cb\u003eThe London Evening Standard\u003c\/b\u003e, \u003cb\u003eThe Sun\u003c\/b\u003e and the \u003cb\u003eDaily Mail\u003c\/b\u003e were quick to denounce the comic, while Mary Whitehouse and the pressure group, Delegates Opposing Violent Education, piled pressure on the IPC board to do something about it.\u003c\/p\u003e\u003cp\u003eIn less than a year, \u003cb\u003eAction\u003c\/b\u003e had been pulled from circulation, then returned months later, a sanitised, pale shadow of its former self. 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